![]() ![]() Favorite fields of study: Introduction to Literary Study: Comparison, Cosmopolitanism, and the Global Novel, Literature Gone Viral, Digital Humanities, Radical Arts, Re-thinking Derrida, Being as a Spectacle.Key achievement: Awarded $15,000 2017 Drue Heinz Literature Prize for a collection of short stories "Your Latest Trick."īA in Comparative Litarature, Stanford University Thesis title: "An Analysis of the Impact of 1940s Blues Culture on the Poetic Expression of the Members of Harlem Reneissance".Favorite fields of study: American Poetry: From Modernism to Postmodernism, Creative Expression in Writing, Creative Nonfiction.Provide general and editorial support to the Stanford staff as requested.Served as the primary contact for incoming phone calls.Collected and distributed incoming mail and processed outgoing mail.Assisted in the development, design, and preparation of sales materials.Assisted in hiring and managing a pool of freelancers as needed, including development editors, copy editors, proofreaders, indexers, recipe testers, and technical editors, including remote and on-site employees.Junior Editorial Student in English at Stanford University, made the Dean’s List for three consecutive years (2014-2016), with two study abroad experiences and a semester-long research internship in Oxford, UK looking to use my strong research and writing skills, as well as my expertise in contemporary literature in the position of Editorial Assistant at Penguin Random House. MS Office Suite, Adobe Photoshop, Studica, JourneyEd, Lucidea, Atriuum, Koha ILS.Honorable Mention, 2011 PROSE Award for Single Volume Reference in the Humanities and Social SciencesĢ008 Fulbright Award in Humanities / University of Chicago Winner, 2013 Choice Outstanding Academic Title Honorable Mention, 2015 PROSE Award for Textbook/Best in Social Sciences The American Philosophical Society Library The Squishy, Sugary History of Peeps.” Vox, April 11, 2012. “Snap Makes a Bet on the Cultural Supremacy of the Camera.” New York Times, March 8, 2014. ![]() “The Prophet of Dystopia.” New Yorker, April 17, 2017. "She Sells Sea Shells by the Sea Shore," Futile, Unrewarding, and Void 18 (March 2011): 37. “Don't Go Back to Dalston,” Poor Indie Music Review 69, no. “I Have Fucked the Pig That Was in the Icebox,” Verso Magazine 8, no. “Conundrum: A Story about Reading,” New England Review 38, no. “Livy and the Pax Deum,” Classical Philology 111, no. Londong and New York: Faber & Faber, 2012 "Southern Gentle Lady Do Not Swoon." In Langston Hughes: The Man and His Work, edited by Michael Tomaszewski. Houndmills, Basingstoke, Hampshire, and London: Macmillan Press Ltd., 2015. "Difficulties with Girls." In Philip Larkin, edited by Stephen Regan. The Man Who Fell Asleep: Structural Analysis of Narrative. Woodstock and New York: The Overlook Press Sexual Politics in Post-2000 American Drama. Member of the Postgraduate Studies Board from 2014 to 2017.Īssisted in developing and executing core curriculum requirements for over 20 under- and postgraduate courses. Taught a total of 18 undergraduate and 9 postgraduate courses, mainly focused on contemporary conceptual drama and performative arts, as well as experimental poetry and fiction. University of Pennsylvania, Philadelphia, PA University of Oxford, Oxford, UK, BA in American Studies
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